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Posts Tagged ‘To The Lighthouse’

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This week’s “3 Questions” features Lauren Groff,  bestselling author of the novels The Monsters of Templeton, Arcadia and Fates and Furies, and the short story collection Delicate Edible Birds. Ms. Groff has won the PEN/O’Henry Prize, and was a finalist for both the National Book Award and the National Book Critics Circle Award.

Ms. Groff’s most recent novel is Florida, of which the critics have said, “Storms, snakes, sinkholes, and secrets: In Lauren Groff’s Florida, the hot sun shines, but a wild darkness lurks. Florida is a “superlative” book” – Boston Globe, “gorgeously weird and limber”  – New Yorker,  and “brooding, inventive and often moving” – NPR Fresh Air. Ms. Groff lives with her family in Gainesville, Florida, but will be reading on July 19th (with Fairlee resident and author Christopher Wren) as part of The Meetinghouse Readings in Canaan. These readings are held at 7:30 p.m. on four Thursday evenings in July and early August, and are free and open to the public; no reservations needed. Please call 802-649-1114 or email info@norwichbookstore.com with questions and/or to secure your copies of Ms. Groff’s works.

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1.What three books have helped shape you into the writer you are today, and why?
​Emily Dickinson’s Collected Poems taught me to love poetry and enigma. George Eliot’s Middlemarch ​is a book I reread every year to remind myself what wisdom and warmth look like in a novel. Anne Carson’s Autobiography of Red taught me that writers should risk everything because the reward ​ can be so thrilling.

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2.What author (living or dead) would you most like to have a cup of coffee with and why?
​I’d love to have a cup of coffee with Virginia Woolf to try to understand the brain that could write a book so colossal and world-rearranging as To The Lighthouse.

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3.What books are currently on your bedside table?
​I’m in a renovated barn in Orford, New Hampshire with so little furniture there’s no bedside table. But I’m doing a large project on the largely forgotten writer Nancy Hale and am reading all of her books right now. [Editor’s note: Ms. Hale’s books are unfortunately out of print so you wont find them at the Norwich Bookstore.]

As part of our mission to promote authors, the joy of reading, and to better understand the craft of writing, The Book Jam has paired with the The Norwich Bookstore in Norwich, Vermont to present an ongoing series entitled “3 Questions”. In it, we pose three questions to authors with upcoming visits to the bookstore. Their responses are posted on The Book Jam during the days leading up to their engagement. Our hope is that this exchange will offer insight into their work and will encourage readers to attend these special author events and read their books.

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This “3 Questions” features Michelle Hoover, author of Bottomland. Ms. Hoover is the Fannie Hurst Writer-in-Residence at Brandeis University and teaches at GrubStreet, where she leads the Novel Incubator program. She is a 2014 NEA Fellow and has been a MacDowell Fellow and a winner of the PEN/New England Discovery Award. Her debut, The Quickening, was a 2010 Massachusetts Book Award “Must Read.” She is a native of Iowa and lives in Boston.
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Ms. Hoover will visit the Norwich Bookstore at 7 pm on March 30th to discuss her latest book, Bottomland, a novel based loosely on an unearthed family secret. The book follows the Hess family as they settles on Iowa farmland hoping to escape anti-German sentiment after WWI. As the country marches towards WWII, lives are changed when two of the daughters disappear.  The book has been critically acclaimed by many including Kirkus Reviews.

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The event with Ms. Hoover is free and open to the public. However, reservations are recommended as space is limited.  Call 802-649-1114 or email info@norwichbookstore.com to save your seat.

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1.What three books have helped shape you into the author you are today, and why?

Virginia Woolf’s To the Lighthouse taught me that both the shape of the sentence and its ideas matter, that these things are not in opposition but feed on each other. Kent Haruf’s novels, in particular Plainsong, gave me the courage to be plain spoken in my fiction, which I believe is my instinct in the first place. Toni Morrison’s Beloved proved that point of view and structure could always be fluid, and that the author has complete freedom in these choices, as long as the author carries the reader well enough along on that ride.url-1.jpgurl.jpg

2.What author (living or dead) would you most like to have a cup of coffee with and why?

I’m currently fascinated with Kate Atkinson. I would love to talk with her about her career, moving from her beloved, rather zany, experimental books to more genre type crime novels, and now her two historical novels, Life After Life and God of Ruins, both of which I consider two of my favorites. I would love to talk to Emily St. John Mandel too. Her novel Station Eleven was perfection. I’d like to talk to writers who I think are essentially normal people that have done great, unusual work. Otherwise I wouldn’t be able to talk at all.

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3. What books are currently on your bedside table?

I generally keep a pile of about ten or so, and the ones that catch me immediately are the ones I finish. I finished Jesmyn Ward’s Salvage the Bones a few weeks ago. A remarkable experience. And then there’s Charlie Quimby’s Monument Road, which I should have read years ago. Then there’s Margaret Atwood’s The Heart Goes Last, Jesse Ball’s A Cure for Suicide, and Susan Barker’s The Incarnations—all from last year’s top book lists. I have a copy of Julianna Baggott’s Harriot Wolf’s Seventh Book of Wonders, as well as two books by former students of mine: E.B. Moore’s Stones in the Road and Emily RossHalf in Love with Death. I know these last three well, but they’re still in that pile, keeping it warm.

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As part of our mission to promote authors, the joy of reading, and to better understand the craft of writing, we’ve paired with the The Norwich Bookstore in Norwich, Vermont to present an ongoing series entitled “3 Questions”.  In it, we pose three questions to authors with upcoming visits to the bookstore.  Their responses are posted on The Book Jam during the days leading up to their engagement.  Our hope is that this exchange will offer insight into their work and will encourage readers to attend these special author events.

Susan Conley, Author - Portland, ME

Today’s post features Susan Conley, author of Paris Was the Place, an Indie Next Pick, and an Elle Magazine Readers Prize Pick.  An American novelist, nonfiction writer, poet and creative writing professor, Ms. Conley’s memoir, The Foremost Good Fortune, was excerpted in the New York Times Magazine and the Daily Beast. Ms. Conley has received fellowships from the MacDowell Colony, the Breadloaf Writers Conference, and the Massachusetts Arts Council. She currently teaches at the University of Southern Maine’s Stonecoast MFA Program, and at the University of Massachusetts at Lowell. Susan is co-founder of The Telling Room, a nonprofit creative writing lab in Portland, Maine.

Ms. Conley speaks at the Norwich Bookstore next week on Wednesday, September 18th at 7 pm.  Reservations are recommended, please call 802-649-1114 or e-mail info@norwichbookstore.com for more information or to make a reservation.

While we have not yet read her book, we enjoyed her answers to our questions below.  We especially like her eclectic list of books on her bedside table as it includes many of our favorite authors such as Jane Gardam, Halldor Laxness and David Sedaris.  We also truly hope she manages to finish Independent People by Laxness; we both loved that novel!

1.What three books have helped shape you into the author you are today, and why?  

 Joan Didion’s The White Album taught me that women could write about the same things that men could:  rock and roll and politics and driving cars on the Santa Monica freeway. But that women could do something perhaps more interesting–they could layer on to that social inquiry a more internal, emotive investigation of what it means to be a mother or a sister or a daughter or a wife. Didion opened up the world of complex, nuanced, startling intimate creative non-fiction to me. Her novels are also lessons in compression and distillation and I have devoured all of those too.
Tolstoy’s War and Peace taught me about breadth and scope and the infinite possibilities of how to write about family. You may be able to tell I preferred the domestic chapters to the war chapters, but those battle scenes and schemes were extremely educational too. This book showed me how to write about the intricacies of place and how to use place as a full-blown character in my work–a portal into the story. This book is also so generous with its treatment of scenes. Tolstoy stays in the scenes for a long, long time. Much longer, in fact, than you think it’s possible to.  And this is how he is able to fully render his character, until they come completely alive on the page and work their way into our hearts.
 Virginia Woolf’s To the Lighthouse is on the list because this was the book that showed me how novels can spend all their time tracing their character’s shifting internal thoughts. Not much happens in this beautiful novel. It’s mostly the mapping of each character’s fluid, discursive inner thinking. Woolf showed me that it is rare that two characters in a novel (or in the world for that matter) are actually speaking to one another–actually exchanging ideas. And that most often they are pushing some kind of unseen and often unconscious agenda in their mind without even knowing it. Often they are lost in their own dreams and their own questions and musings. Then every so often, two people connect, as they do in quiet, powerful moments in To the Lighthouse and there’s great pathos and emotion.
2.What author (living or dead) would you most like to have a cup of coffee with and why?
Probably the esteemed Virginia Woolf. Because of her prolific career–so many novels and essays and letters and journals. But also because of her layered, complicated life and the crowd she hung out with. Her perch in the famed Bloomsbury art world in England and her famous sister Vanessa would make talking to Virginia even more fascinating. That is, if I could get her to talk. I have a feeling she would be rather circumspect and want to drink her coffee (or tea rather) and then go home.
     
3.What books are currently on your bedside table?
I will simply look at the pile, right next to the bed, and list them for you. There are always many and they all call to me:  Richard Russo’s Elsewhere, Colum McCann’s Dancer, Pers Petterson’s I Curse the River of Time, Jane Gardam’s The Man in the Wooden Hat.  Halldor Laxness’ Independent People. David Sedaris’s Dress Your Family in Corduroy and Denim. (Sedaris is always on my bedside table. He keeps me honest and keeps me taking risks.)

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